Lost or stolen piece

This S-shaped bypass ring was rebuilt in platinum after the original — a custom piece from the 1950s — was stolen. Three round natural diamonds sit in a raised box setting at the center, with pave-set round diamonds tracing both curves of the S so no metal band is left bare. The design was refined over several rounds of sketches and 3D renders to match the client’s memory of the original as closely as possible, including a solid, gap-free profile between the stones and the band. Platinum was chosen over white gold for its durability and because it holds its white color without replating over decades of wear. The piece is intended to be worn daily and eventually passed down to a family member.

This 14k yellow gold band alternates five marquise-cut natural rubies with four round natural diamonds, set across the top portion of a slim polished band that stays smooth underneath. The marquise cut was chosen to match the elongated shape of the rubies in the original piece, worked out from photos and careful comparison of stone proportions. It sits low and close to the finger, making it easy to stack or wear on its own every day. The design suits anyone who wants to bring a family piece back into daily rotation without it feeling fragile or precious to the point of being set aside.

This 10k yellow gold pendant depicts an eagle in flight, wings fully spread and rendered with dense, dimensional feather texture across both the body and wingspan. The talons grip a small ring, a detail carried over intentionally from the original piece. The pendant is hollow-backed to keep it lightweight despite its dimensional, sculptural form, and sized to sit close to the size of a quarter at the body with the wingspan extending beyond that. It suits anyone who wants a piece with real weight of meaning rather than a simple silhouette, and who values a design built from memory and reference photos rather than a stock template.

This ring rebuilds a design that existed only in a handful of old photographs — an elongated oval citrine set sideways across the finger, ringed by a halo of round diamonds, on a substantial squared sterling silver band. The center stone was custom cut to match the unusual proportions of the original as closely as available material would allow, and the band was hollowed on the underside to manage the weight of such a large stone setting. Twenty-two round lab-grown diamonds trace the halo around the citrine, echoing the original’s stone count. The sides of the band carry a brushed, textured finish while the top and setting are polished, and the inside of each shoulder is engraved. It suits anyone who wants a bold, statement-sized ring rebuilt faithfully from a design they loved and lost — not a new interpretation, but as close a match as photographs and memory could achieve.

This engagement ring and wedding band were recreated as a single soldered piece in 14k white gold, set with a round lab diamond solitaire held by simple prongs. The design favors a low, classic profile rather than an elaborate setting, matching the original ring’s simple silhouette as the client remembered it. It suits someone who wants a faithful stand-in for a piece they can no longer wear, made in a lab diamond for the same look at a lower cost. The two bands are cast and finished separately, then joined so the ring goes on and off as a single unit, just like the original.

This engagement ring replaces one that was lost, recreated as closely as possible to the original while making a few thoughtful updates. An oval lab-grown diamond sits in a four-prong setting atop a narrowed 14k rose gold band, with wood-grain style ridges carried around the shoulders to echo the design of the original piece. The band was brought down to 1.5mm from a much thicker starting point, giving it a lower profile that suits smaller hands without losing the textured detail that made the original distinctive. It suits someone who wants a faithful recreation of a meaningful piece but is open to small refinements that make it more comfortable for daily wear.

This bridal set recreates a wedding ring that had been lost — originally a grandmother’s ring passed down through the family. The set includes a solitaire-style ring and a chevron-shaped guard ring designed to nest against it, each peak of the guard lined with small blue sapphires. The center stone was sent in by a family member so it could be set into a piece built specifically around its measurements. The band is sterling silver with a gold-plated finish, offering the look of gold at a lower cost, with the understanding that the plating is a surface finish that benefits from gentle care over time. The design draws directly from an old photograph, since no paperwork on the original ring existed, and small refinements were made after the first render to match the original stones more closely. This set suits anyone recreating a family piece with incomplete documentation.

This ring recreates a piece that had been worn for years before it was lost — a grandmother’s ring with a single marquise amethyst at the center. The original was gold; this version was rebuilt in 14k rose gold at the client’s request, with the same lattice-like texture carried across both shoulders flanking the stone. A six-prong setting holds the roughly one-carat marquise amethyst securely at center, with the geometric diamond-lattice pattern giving the shoulders dimension and shine without adding another stone. The design stays close to the original’s proportions and layout, rebuilt entirely from reference photos. It suits someone who wants a family piece back in wearable form, in a metal tone that fits how they wear jewelry today.

This bypass-style ring is built around a single white pearl set where two tapering rose gold bands wrap toward each other without meeting. Four small diamonds are flush-set into each side of the band, adding quiet sparkle without competing with the pearl. The 14k rose gold is finished to a soft polish, and the band narrows to a delicate 2mm width for a low-profile, everyday feel. It suits someone who wants a ring with real presence but nothing gaudy — a design built for daily wear that still reads as considered and specific.

This ring was recreated from photographs of a family heirloom that had been lost. Built in 14k yellow gold, it centers a round blue topaz held in a four-prong setting, flanked on both sides by a woven, crisscross gold pattern that tapers into a smooth polished shank toward the back of the band. The design keeps the visual weight at the top of the finger while thinning out where the ring meets the hand, echoing the shape the client remembered from the original piece. It suits someone who wants a design rebuilt faithfully from limited reference material rather than a fresh, unrelated design.

This engagement ring recreates a stolen original as closely as possible from photographs alone — a round amethyst center stone flanked by two pear-shaped white sapphires, set in 14k yellow gold with white gold prongs cradling the amethyst. A subtle raised ridge runs along the shoulders near the side stones, echoing a detail from the original setting, and the inside of the band carries a personal engraved phrase. The design was built from the ground up rather than from a pre-made setting, matched to the client’s original ring size and a slim band profile that mirrors the delicate feel of the piece it replaces. It suits someone who values continuity — restoring a ring that had already been part of their life for a decade rather than reinventing it.

This wedding ring reimagines a rose in metal, with the center stone nestled inside sculpted petals rather than set in a standard prong head. A vine-and-leaf motif carries small accent diamonds down both sides of the band, echoing the botanical theme rather than treating it as a separate design element. The center stone is a round moissanite, chosen for its brilliance and durability, set inside a 14k white gold rose that curls open around it. The organic, sculptural line work makes this a piece for someone who wanted their ring to reflect something personal and specific rather than a standard solitaire silhouette.

This pinky ring was designed around an oval black star sapphire cabochon, set in claw-style prongs that echo a branch or vine motif, with three small lab-grown diamonds set into the split shoulders. Made in 14k yellow gold and sized specifically for a size 5 finger, the ring takes its inspiration from a larger, mid-century-style original but is scaled down for a woman’s hand. The open, organic prong work gives the piece a sculptural, nature-inspired character rather than a heavy traditional setting, while the black star sapphire’s natural asterism gives it a distinctive, non-faceted presence at the center.

This ring was built to bring back a one-of-a-kind piece that had been lost — a silver band with a square-cut blue stone, originally handmade by an independent artist. Working from photographs alone, the design team identified that the center stone in the reference images actually reads as an emerald cut rather than a true square, and adjusted the design accordingly with the client’s approval. The finished ring pairs a deep blue lab-created sapphire, cut in a rectangular step-cut, with a halo of pave-set round diamonds and a split shank band that continues the pave detail partway down each side. Sterling silver was chosen to match the humble, handmade character of the original piece. The result is a recreation that honors the memory of the lost ring while correcting for what could actually be seen in the photos, rather than assumed from description alone.

This open cuff bracelet centers on a dimensional, hand-sculpted female figure whose body wraps around the front of the piece, arms extending forward and legs trailing into the band. A small beaded necklace sits at her neck, and the reverse of the band is smooth and rounded for comfortable daily wear. Cast in brass with a soft matte finish, the cuff was built through an extended, iterative 3D modeling process to recapture the proportions, posture, and oval shape of a beloved original piece worn for decades. The open-ended, oval design was specifically chosen to allow the bracelet to slide easily on and off the wrist, and its hollow, thick-walled construction keeps it substantial without excessive weight. It suits someone who wants a piece with real sculptural presence and a design that can be worn every day without a clasp to manage.