Complex

This wedding band was designed as a companion piece to an existing engagement ring, built to follow the exact contour of the ring’s halo so the two sit together without gapping or rubbing. The top surface carries a hand-engraved scroll filigree pattern that continues around the side profile of the band, bordered by fine milgrain beading. A graduated cluster of round lab-grown diamonds is set at the center point, flanked by the filigree rather than running the full length of the band, keeping the pattern legible and the accent stones secondary to the engagement ring’s center stone. The band was refined through a resin fit-test before casting to confirm the two rings nested correctly. Cast in 14k yellow gold, it suits someone who wants a wedding band that reads as part of a single design with their engagement ring rather than a separate piece.

This sterling silver ring centers on a dimensional skull motif finished in black rhodium plating, set off by matte-finished wing panels that drape around the sides of the band. Two natural opal cabochons form the skull’s eyes, with a small natural ruby accent near the nose. The band itself carries an open cut-out lattice pattern inspired by a spiderweb, and is left in a polished finish to contrast against the black skull and matte wings. The mixed finish approach — black, matte, and polished all on one piece — was arrived at through several rounds of review, giving the design real depth and definition. It suits someone whose personal style runs toward gothic or alternative aesthetics, and who wants a ring with sculptural presence rather than a traditional band. The open lattice shank keeps the ring from feeling overly heavy despite its bold front-facing design.

This ring uses six baguette-cut gemstones set closely together in a bar setting to spell out a name, one stone per letter. The stones move from golden citrine through purple, red, blue, milky opal, and green jade, each chosen specifically for the letter it represents. The band is 14k yellow gold, tapering from a slightly wider 3mm near the stones down to 2mm around the rest of the shank for everyday comfort and durability. Because two of the six stones — the opal and jade — are naturally cut as smooth-topped cabochons rather than faceted shapes, they were custom cut to a faceted baguette silhouette so all six stones would read as one cohesive line. The result is a modern, low-profile piece that carries a personal, hidden meaning at a glance.

This 14k yellow gold pendant merges three meaningful symbols into one cohesive design: a cross, a Naval Academy-style anchor, and a hockey stick, with the number 11 engraved on the stick’s blade. The elements overlap and interlock so the piece reads as a single unified form rather than three separate charms stacked together. Finished in a high polish for a clean, durable surface intended for daily wear, it hangs on a sturdy curb chain built to hold up under an active lifestyle. The design was refined through several rounds of feedback — sizing, chain thickness, and placement of the number were all adjusted based on how the recipient actually lives and moves. It suits someone who wants a single wearable symbol for faith, service, and identity rather than separate pieces for each.

This large round pendant centers on a rocket ship radiating outward into a compass-like starburst, framed by ringed planets, scattered stars, and orbiting dots. The background is finished in black rhodium with a matte texture, while every raised line of the design is left in high-polish sterling silver, creating strong contrast between the dark backdrop and the bright cosmic scene. At roughly three inches across, the piece has real presence on the chest and reads clearly from a distance. It suits someone drawn to space and astronomy themes who wants a substantial, sculptural pendant rather than a delicate everyday piece, and who prefers a distinctive matte-and-polish finish over traditional high-shine jewelry.

This wide 14k white gold band carries a pave-set American flag across its face, built from natural diamonds in blue, red, and colorless tones set in tight rows to read as a single continuous rectangle rather than separated blocks of color. The width was increased from an initial 5mm concept to 7.2mm specifically to accommodate three rows of red stones and two rows of white alongside the blue field, matching the proportions of the flag the client had in mind. The band is otherwise plain and polished, letting the flag motif sit as the sole focal point. It suits a wearer who wants a personal or patriotic symbol rendered in fine materials rather than as costume jewelry, and who is comfortable with a substantial, statement-width band for daily wear.

This Star of David pendant is built from two overlapping triangles in 14k white gold, each outlined in a continuous row of pave-set diamonds. One triangle is set with colorless diamonds and the other with royal blue diamonds, creating deliberate contrast between the two interlocking shapes. At just under an inch across, the piece uses 102 round stones totaling roughly 2 carats, hand-set by a single jeweler. It suits someone looking for a religious or cultural symbol rendered as a genuine statement piece rather than a small everyday charm.

This lariat necklace was built around a circular pierced hoop in sterling silver, textured to read as hand-forged rather than machine-finished. Round and pear-shaped garnets are bezel-set along the hoop and down the two lariat ends, their domed profiles chosen deliberately to suggest droplets rather than faceted gemstones. A matte finish covers the piece throughout, with oxidization worked into the crevices and pierced cutouts to give it the look of a worn, older object rather than a new one. The design was developed as a companion piece to a matching pair of earrings, sharing the same garnet stones so the two pieces read as a set. It suits someone drawn to symbolic, slightly gothic design language who wants a necklace with real presence rather than a delicate everyday chain.

This pendant reimagines a stained-glass window in miniature: an arched white gold frame holds a raised figure of Saint Michael, wings extended, standing over a fallen figure beneath his feet, with ‘Saint Michael’ engraved along the base. Behind the figure, a mosaic of 66 individually set gemstones — tsavorite garnets, rubies, sapphires in purple and blue, and diamonds — fills the arched window in a deliberate stained-glass pattern. The piece is built from two separately cast plates, hand-set with stones and then laser-welded together, with small hand-drilled openings behind select stones so that light can pass through the gems the way it would through real stained glass. At roughly 1 to 1.5 inches tall and about 2mm thick, it sits as a substantial but wearable pendant. The two-plate construction and the density of the stone-setting make this a considerably more involved build than a standard cast pendant, suited to someone who wants a religious piece with real dimensional depth and color rather than a flat engraved medallion.

This platinum cross pendant blends Greek and Russian Orthodox design elements into a single three-bar silhouette, with stepped terminal ends on each arm and a raised crucifix figure set at the center. Small engraved Orthodox inscriptions appear near the top and side arms, consistent with traditional iconography on this style of cross. At roughly two inches long, the pendant was sized generously so it can be worn now and grown into over time. It hangs from a matching platinum figaro chain chosen specifically to support the weight of the piece. The design was built for permanence — platinum was selected for its durability, and the piece was intended from the outset for daily wear rather than occasional use. It suits someone looking for a substantial, traditional religious pendant with a masculine design language, meant to be worn for decades.

This pendant centers a dimensional doe standing within an open, branch-framed silhouette, with a crescent moon caught on one of the branches above her. The teardrop shape reads as a small nature scene rather than a flat charm, with leaf detailing carved along the border and open space left where the design was intentionally opened up to let the 3D elements stand out. The back carries a short engraved inscription and a date, kept small enough to stay legible without competing with the front. Made in sterling silver on an 18-inch cable chain, it suits anyone who wants a nature motif with genuine dimension rather than a flat engraved disc, and who values a personal detail tucked out of sight on the back.

This pendant takes the shape of a written page — a rectangular cut-out frame bordered in a chevron pattern, with rows of squiggled lines standing in for handwriting. A slender three-dimensional pen rests diagonally across the surface, cast with visible facets along its body. The back is left flat and unadorned. Worked entirely in 18k yellow gold, the piece went through several rounds of refinement — from the border pattern to the pen’s proportions and angle — before landing on this composition. It suits anyone drawn to symbols of writing, ideas, or creative work, worn as a personal marker rather than a decorative motif alone.

This men’s signet ring was designed to honor both a Greek heritage and an Irish one in a single piece. A dimensional scorpion sits at the center of the round face, scaled and curled so its tail wraps close to the body rather than projecting outward, set against a deep blue enamel field and bordered by a continuous Greek key pattern. Two small round sapphires flank the scorpion’s claws for color and symbolic accent. The sides of the ring carry the personal heritage detail: one flank is worked with a Greek Hercules knot integrated with the alpha and omega symbols, and the other carries a Greek-style triskele layered with an ouroboros serpent. Cast in sterling silver with a mix of raised dimensional work and open filigree detailing, the ring reads as a substantial, classic men’s signet piece rather than a delicate accessory. It suits a wearer who wants a ring dense with personal meaning rather than a single simple motif, and who is comfortable with a bold, sculptural presence on the hand.

This pendant pairs an architectural torii-gate arch with a round coin-style medallion hanging beneath it, both cast in 14k yellow gold plated silver. The medallion carries a five-petal floral family crest in raised relief against a stippled, textured field, bordered by a polished rim — a design refined from an initial engraved concept back to the raised style of the original reference images the client provided. The gate spans roughly three inches, with the coin sized to just over an inch, on a 16-inch cable chain. It suits anyone who wants a family emblem worn as a wearable piece of heritage rather than tucked away, with the raised detail giving the crest genuine dimension and texture rather than a flat engraving.

This pendant reimagines two state outlines as one wearable design: the state of Georgia forms the main gold plaque, hand-finished with a matte background, while the state of Ohio sits raised and polished on top of it. Black enamel numerals are engraved into the Ohio inset, designed so the digits read as one area code right-side up and a second area code when the pendant is turned upside down. Two small round moissanites mark the positions of two cities, one within each state outline. Cast in 14k yellow gold, the piece pairs a technical engraving challenge with a personal geographic connection, and was designed to work as a standalone charm on the client’s existing two-tone chain.

This pendant takes the form of a snake, its body curving in a graceful S-shape from bail to tail. The head is formed by a bezel-set pear-shaped diamond, with small black diamond accents marking the eyes. Along the body, round black and white diamonds alternate in a pattern that gradually shifts to solid colorless stones near the tail, echoing how a real snake’s coloring blends together at a distance. The piece is crafted in 14k white gold and hangs from an 18-inch cable chain, chosen specifically so the chain would not distract from the sculptural pendant. At 2.5 inches long, the design keeps the head and body in proportion rather than skewing the scale between them. It suits someone drawn to nature-inspired, sculptural jewelry with a bit of an edge, and who wants a center stone repurposed into something entirely new rather than reset in a traditional setting.

This sterling silver pendant takes the classic sun-face motif and renders it with real dimension — a sculpted face with open eyes and a closed mouth sits at the center of a ring of pointed rays that alternate between straight and gently curved shapes. The piece was designed to attach to a chain the client already owns, so it carries only a top ring rather than a full bail. The back of the pendant is engraved with a short location phrase, a personal touch that isn’t visible from the front. At 47mm across, it reads as a substantial, sculptural centerpiece rather than a delicate accent, well suited to anyone who wants a mythic or celestial motif with real presence.

This signet ring merges two professions into one design: pharmacy and information technology. A black onyx face, cut with a hole through its center, holds a yellow gold Bowl of Hygeia symbol riveted through from the underside — the traditional emblem of the pharmacy profession rendered in a raised, dimensional form. Around the band, a circuit-board pattern is engraved and filled with black enamel, tracing lines and nodes that reference the wearer’s work in IT. The ring is crafted in 14k white gold, chosen to sit alongside the wearer’s existing white-gold wedding band, a black band worn for protection, and a pewter family heirloom ring passed down from a grandfather. The penny-sized signet face and complex two-metal construction make this a substantial, wearable piece designed to carry personal and professional identity in equal measure.