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This oval pendant sets three round lab-grown diamonds vertically in a milgrain-beaded frame, with a larger center stone flanked by two smaller stones above and below. The platinum setting has an open gallery visible from the side, and the bail was positioned through the top of the mount directly behind the center stone. At roughly 0.75 inches tall, it was designed to closely match the scale and proportions of a client-provided sketch rather than to exactly replicate the original piece it was inspired by. The piece suits anyone who wants a wearable three-stone design without heavy metalwork, and can be paired with a separately purchased chain in a width up to 1.5mm.

This ring recreates a family engagement ring that belonged to a client’s grandmother, rebuilt as two matching pieces from photographs and video rather than the physical original. An emerald-cut black onyx center stone sits in a white gold diamond-shaped frame with a single round diamond accent, flanked by ornate scrolling yellow gold shoulders on either side of the band. The design was refined during the render stage to bring the prong line flush against the stone and to shift the framing stone’s cut closer to the diamond-like shape seen in the original. Made in 14k yellow gold, the two rings were sized differently — one size 6 and one size 7 — so each recipient received a piece fitted to them individually. It suits someone looking to carry a piece of family history forward in a way that is wearable rather than kept in a box.

These stud earrings were designed around a round yellow topaz center stone, approximately 5.5mm, surrounded by a full halo of small opal accent stones. Set in 14k yellow gold with a raised outer rim, the halo construction was specifically adjusted to keep the opals protected while preserving an open, uncovered look at the client’s request. The result is a classic, elegant stud intended for special-occasion wear rather than everyday use. The combination of yellow topaz and opal is a distinctive pairing not often seen together, chosen here specifically to bring two meaningful stones into one cohesive design.

This sword pendant was designed as an engagement-season gift, built around a knight’s-sword silhouette with a gently curved crossguard and a rope-twisted grip. A round peridot sits bezel-set at the center of the guard, and the blade carries an engraved date with a small heart detail. The bail is formed from the top of the hilt itself, so the chain attaches directly to the pendant’s structure rather than through a separate jump ring — a deliberate choice for anyone who works with their hands and needs jewelry that can take daily wear without extra points of failure. Filigree scrollwork echoes across the guard, and the piece is sized on the smaller side for a subtle, wearable statement rather than an oversized costume piece.

This Star of David pendant is built from two overlapping triangles in 14k white gold, each outlined in a continuous row of pave-set diamonds. One triangle is set with colorless diamonds and the other with royal blue diamonds, creating deliberate contrast between the two interlocking shapes. At just under an inch across, the piece uses 102 round stones totaling roughly 2 carats, hand-set by a single jeweler. It suits someone looking for a religious or cultural symbol rendered as a genuine statement piece rather than a small everyday charm.

This firefly brooch translates a hand-drawn property logo into a wearable pin, built from sterling silver open-wire wings, a solid polished 10k gold body, and two round lab-created diamonds set at the antennae tips. The wing outlines were kept intentionally asymmetrical to preserve the character of the original logo drawing, while the curves were smoothed during design review so the piece reads as finished jewelry rather than a literal sketch. At roughly three inches tall, it is sized to be a statement lapel piece rather than a small accent pin. Three lapel-pin posts — at the head, mid-wing, and body — replace a standard single brooch pin so a piece this size stays fully supported across heavier fabrics like a sweater or jacket. It suits anyone who wants a meaningful logo or symbol translated into a substantial, wearable piece rather than a small, easily overlooked pin.

This oval lapel pin reproduces a state agricultural organization’s past-officer insignia — a wheat sheaf emblem on a navy shield, framed by a green field and a pink enamel border, with the organization’s name banded across the center and the officer title lettered around the rim. Cast in gold-plated sterling silver with a small lab diamond set at the center of the shield, the piece uses four enamel colors matched through several rounds of sample review to reproduce the exact tones of the original 10K gold version the organization had used for years. The pin closes with a single post-and-clutch fastening for easy on-and-off wear, replacing the swivel clasp on earlier versions. Produced as a batch of twenty identical pins, it suits any organization looking to recreate or update a long-standing recognition pin for its members.

This pendant reimagines a stained-glass window in miniature: an arched white gold frame holds a raised figure of Saint Michael, wings extended, standing over a fallen figure beneath his feet, with ‘Saint Michael’ engraved along the base. Behind the figure, a mosaic of 66 individually set gemstones — tsavorite garnets, rubies, sapphires in purple and blue, and diamonds — fills the arched window in a deliberate stained-glass pattern. The piece is built from two separately cast plates, hand-set with stones and then laser-welded together, with small hand-drilled openings behind select stones so that light can pass through the gems the way it would through real stained glass. At roughly 1 to 1.5 inches tall and about 2mm thick, it sits as a substantial but wearable pendant. The two-plate construction and the density of the stone-setting make this a considerably more involved build than a standard cast pendant, suited to someone who wants a religious piece with real dimensional depth and color rather than a flat engraved medallion.

This platinum cross pendant blends Greek and Russian Orthodox design elements into a single three-bar silhouette, with stepped terminal ends on each arm and a raised crucifix figure set at the center. Small engraved Orthodox inscriptions appear near the top and side arms, consistent with traditional iconography on this style of cross. At roughly two inches long, the pendant was sized generously so it can be worn now and grown into over time. It hangs from a matching platinum figaro chain chosen specifically to support the weight of the piece. The design was built for permanence — platinum was selected for its durability, and the piece was intended from the outset for daily wear rather than occasional use. It suits someone looking for a substantial, traditional religious pendant with a masculine design language, meant to be worn for decades.

This men’s wedding band was designed to capture the look of a specific ring the client had admired for months, rebuilt from scratch in 14k white gold. A half-carat round lab diamond sits at the center, flanked on either side by rows of smaller round diamonds for a total weight of three-quarters of a carat. Milgrain beading traces the stepped edges of the setting, giving the piece a finished, detailed edge without adding bulk. The band is substantial and comfortable for daily wear, with a polished finish throughout. The inside of the band carries a personal engraving, added at no extra cost as part of the design. Built heavier and more durable than a mass-produced equivalent, this band suits someone who wants a distinctive, well-made piece rather than an off-the-shelf ring — especially fitting as a wedding band with meaning attached to it beyond the design itself.

This pendant translates a blocky, pixel-art digital image into a three-dimensional sterling silver piece. The design was refined through several rounds of review, moving from a flat render to a full 3D model so the client could evaluate the dimensional blocks before committing. The final piece uses black rhodium plating on the recessed background blocks to create contrast against the polished silver foreground, making the pixelated character read clearly in physical form. A cable chain and lobster clasp complete the piece, which sits at approximately one inch in height. It suits anyone who wants to carry a piece of digital art or a personal collectible into a wearable, everyday format.

This bracelet centers on a heart-shaped garnet set in white gold, held within a sideways infinity symbol crafted in rose gold. Pave diamond accents trace the lower curves of the infinity shape on either side of the center stone, and the piece connects to a 14k white gold curb link chain. The two-tone metal combination separates the emotional focal point (the heart) from the symbolic frame (the infinity), giving the design a layered read up close. It suits someone who wants a milestone piece with a distinct, non-standard silhouette rather than a traditional heart pendant or tennis bracelet.

This pendant centers a dimensional doe standing within an open, branch-framed silhouette, with a crescent moon caught on one of the branches above her. The teardrop shape reads as a small nature scene rather than a flat charm, with leaf detailing carved along the border and open space left where the design was intentionally opened up to let the 3D elements stand out. The back carries a short engraved inscription and a date, kept small enough to stay legible without competing with the front. Made in sterling silver on an 18-inch cable chain, it suits anyone who wants a nature motif with genuine dimension rather than a flat engraved disc, and who values a personal detail tucked out of sight on the back.

This pendant takes the shape of a written page — a rectangular cut-out frame bordered in a chevron pattern, with rows of squiggled lines standing in for handwriting. A slender three-dimensional pen rests diagonally across the surface, cast with visible facets along its body. The back is left flat and unadorned. Worked entirely in 18k yellow gold, the piece went through several rounds of refinement — from the border pattern to the pen’s proportions and angle — before landing on this composition. It suits anyone drawn to symbols of writing, ideas, or creative work, worn as a personal marker rather than a decorative motif alone.

This pendant reimagines a pedal harp in miniature, cast in platinum and built with genuine instrumental proportions rather than a simplified silhouette. The scrolled crown, vertical strings, tapering soundboard, and open filigree scrollwork on the reverse were all modeled to reflect a real harp’s construction. Round stones alternate along the harmonic curve, tapered and standard baguette-cut stones run diagonally down the soundboard, and small round accents sit at the base near the feet. Several of the soundboard stones were custom cut to match the harp’s true taper rather than using off-the-shelf sizes. The piece suits a musician or performer who wants a wearable version of their instrument rendered with real architectural accuracy, sized to be noticed under stage lighting.

This men’s signet ring was designed to honor both a Greek heritage and an Irish one in a single piece. A dimensional scorpion sits at the center of the round face, scaled and curled so its tail wraps close to the body rather than projecting outward, set against a deep blue enamel field and bordered by a continuous Greek key pattern. Two small round sapphires flank the scorpion’s claws for color and symbolic accent. The sides of the ring carry the personal heritage detail: one flank is worked with a Greek Hercules knot integrated with the alpha and omega symbols, and the other carries a Greek-style triskele layered with an ouroboros serpent. Cast in sterling silver with a mix of raised dimensional work and open filigree detailing, the ring reads as a substantial, classic men’s signet piece rather than a delicate accessory. It suits a wearer who wants a ring dense with personal meaning rather than a single simple motif, and who is comfortable with a bold, sculptural presence on the hand.

This bracelet centers on a large rectangular ID plate cast in solid 14k yellow gold, its surface carrying a dimensional cutting-horse scene — a horse, cow, and dog rendered in raised, polished relief against a matte background, with a small cross set in the upper corner. The plate attaches to a substantial 9.5mm curb-link chain sized for a masculine, competition-ready fit, with the reverse side carrying a personal engraved inscription. The open-center construction of the plate was engineered specifically to manage the weight of a piece this size in solid gold, keeping it wearable for extended daily use. It suits someone who wants a bold, symbolic piece that can be worn constantly rather than saved for special occasions.

This platinum pendant centers an oval lab-created diamond beneath a small infinity-shaped twist set with two round stones — an aquamarine and a sapphire, representing March and September birthstones. The design went through a late adjustment: a halo of alternating stones around the center diamond was dropped in favor of a cleaner, quieter look, letting the diamond and the twist motif carry the piece. It hangs on a fine 1.5mm platinum cable chain sized to sit at approximately 3/4 inch. The result is a piece with meaning built into the details rather than announced by size — suited to someone who wanted an anniversary piece that reads as elegant and personal rather than elaborate.

This pendant pairs an architectural torii-gate arch with a round coin-style medallion hanging beneath it, both cast in 14k yellow gold plated silver. The medallion carries a five-petal floral family crest in raised relief against a stippled, textured field, bordered by a polished rim — a design refined from an initial engraved concept back to the raised style of the original reference images the client provided. The gate spans roughly three inches, with the coin sized to just over an inch, on a 16-inch cable chain. It suits anyone who wants a family emblem worn as a wearable piece of heritage rather than tucked away, with the raised detail giving the crest genuine dimension and texture rather than a flat engraving.

This sterling silver bolo bracelet centers on a marquise-shaped plaque engraved with a custom wordmark and a small eyelash graphic. The adjustable bolo-style box chain slides to fit a range of wrist sizes, closing with a round slide bead and finished with two polished teardrop ends. The design was adapted from an existing logo, kept intact on a refined narrow rectangle-turned-marquise shape rather than reworking the lettering to fit a different layout. It suits someone who wants their own brand or personal mark on a piece they can wear every day without needing to size it precisely.

This pendant reimagines two state outlines as one wearable design: the state of Georgia forms the main gold plaque, hand-finished with a matte background, while the state of Ohio sits raised and polished on top of it. Black enamel numerals are engraved into the Ohio inset, designed so the digits read as one area code right-side up and a second area code when the pendant is turned upside down. Two small round moissanites mark the positions of two cities, one within each state outline. Cast in 14k yellow gold, the piece pairs a technical engraving challenge with a personal geographic connection, and was designed to work as a standalone charm on the client’s existing two-tone chain.