Every piece here started as a real conversation with a real client, with a reason behind it, a story, and a lot of emotion. We’re not showing you a catalog. We’re showing you what’s possible, so you can design your own.
Contour Wedding Band with Filigree & Diamond Point
This wedding band was designed as a companion piece to an existing engagement ring, built to follow the exact contour of the ring’s halo so the two sit together without gapping or rubbing. The top surface carries a hand-engraved scroll filigree pattern that continues around the side profile of the band, bordered by fine milgrain beading. A graduated cluster of round lab-grown diamonds is set at the center point, flanked by the filigree rather than running the full length of the band, keeping the pattern legible and the accent stones secondary to the engagement ring’s center stone. The band was refined through a resin fit-test before casting to confirm the two rings nested correctly. Cast in 14k yellow gold, it suits someone who wants a wedding band that reads as part of a single design with their engagement ring rather than a separate piece.
Elongated Oval Diamond Ring — Leaf-Detail Split Band
This engagement ring pairs a bold elongated oval center diamond with a softly split yellow gold band, finished with a single delicate leaf engraved on each arm. Small round diamonds are set flush into the band near the point where the split meets, adding quiet sparkle without competing with the center stone. The band was built slightly thicker than a standard profile to match a ring the client already wears and loves the feel of. Designed with a low center setting in mind, the ring balances presence with everyday comfort, making it a fitting choice for someone who wants a substantial center stone without a ring that feels top-heavy.
Kite-Cut Aquamarine Engagement Ring in Rose Gold
This engagement ring began with a client designing her own piece around a stone she simply loved the color of — a soft blue kite-cut aquamarine, chosen for its uniqueness rather than any birthstone connection. The design moved through several rounds of refinement: the metal shifted from yellow to rose gold, the setting changed from a full bezel to open prongs, and the diamond accents were reworked from two simple side stones into a partial halo that traces the upper-left and lower-right edges of the kite shape. The result is an asymmetrical, modern silhouette with a low-profile plain band that lets the stone and its diamond framing carry the design. It suits someone who wanted an engagement ring with a distinct shape and color rather than a traditional round diamond solitaire.
Two-Stone Mother’s Ring — Diamond & Blue Topaz Toi et Moi
This mother’s ring sets two pear-shaped stones side by side, points meeting at the center so the pair reads almost like a heart when worn. A lab-grown diamond sits beside a Swiss blue topaz, each around three-quarters of a carat, held in a shared prong setting on a simple polished 14k yellow gold band. The design keeps the focus entirely on the two stones — no halo, no accent diamonds, just a clean pairing that lets the color contrast do the work. It suits someone who wants a symbolic two-stone piece that still reads as an everyday ring, easy to wear alongside other jewelry without competing for attention.
Slimmed Heirloom Ring — Engraved Band, Moissanite Center
This slender sterling silver band takes its cues from a much heavier heirloom ring, reworked into a design that reads as an homage rather than a copy. Where the original relied on wide cut-out details and a cluster of stones, this version simplifies to a single bezel-set moissanite flanked by hand-engraved leaf, chevron, and spiral motifs. The band was narrowed considerably from the original’s thickness, with the design adjusted from cut-outs to surface engraving to preserve strength at the smaller scale. It suits someone who wants a everyday-wearable connection to a family piece without replicating it stone for stone.
Recreated Heirloom Ring — Silver Swirl with Blue Spinel
This sterling silver ring reimagines a beloved grandmother’s ring using only memory and a handful of blurry photos as reference. The asymmetrical swirl design features two connected forms — one rounded, one more pointed — meeting at a bezel-set oval blue spinel that echoes the turquoise-like stone of the original. One side of the setting is covered in a cluster of raised, granulated dots, replacing what the client remembered as a textured, non-linear decorative element. The band was widened partway through the design process, which ended up improving the overall proportion of the piece. Made in sterling silver for a cost-conscious approach to a sentimental recreation, this ring suits anyone who wants to carry a piece of family history forward without needing an exact replica — an interpretation that captures the feeling of the original rather than a precise copy.
Two-Tone Gold Dragon Pendant With Jade Accent
This fully three-dimensional dragon pendant was built to capture traditional Chinese dragon imagery in wearable scale — extended horns, a curled serpentine body, and a spiked tail looped back on itself. The scales along the head, neck, and coils are set with round lab-created diamonds against white rhodium-plated gold, while the rest of the body is cast in warm 14k yellow gold, creating a two-tone contrast that highlights the dragon’s form. A small pale jade bead is held securely in the dragon’s mouth, pinned in place from beneath — a detail the client considered essential to the design. The pendant went through multiple rounds of sketch revision to get the silhouette, tail shape, and proportions right before moving to the 3D model. Sized for everyday wear at approximately 1.5 inches, it suits someone who wants a bold, symbolic piece with real dimensional presence rather than a flat emblem.
