Get Inspired, Bezel Style

This stunning white gold engagement ring showcases a pear-shaped center diamond set in a full bezel setting, seamlessly integrating with a wide band for a bold and elegant look. On either side of the ring, intricate sunflower designs wind their way up toward the center stone, symbolizing warmth, happiness, and devotion. Each sunflower is brought to life with a vibrant round turquoise at its center, adding a unique pop of color and contrast against the brilliant diamond. The combination of organic floral elements and modern bezel setting creates a one-of-a-kind design that blends nature-inspired beauty with timeless sophistication.

This ring pairs a hand-cast rose gold twist with white gold outer rails, built as a low-profile, durable everyday band. A round Montana sapphire sits in a white gold bezel at the center, flanked by five small birthstones representing the couple and their three children. A smooth, unpatterned section is built into the back of the band, making future resizing simpler despite the layered construction. The design was adapted from the couple’s original three-metal wedding band concept, simplified to keep the labor and cost within budget while preserving the twisted, two-tone look.

This ring rebuilds an original design whose bezel walls were cast too thin, allowing a stone to work loose over time. The new version keeps the intertwined multi-band look — three crossing strands of white gold that catch the light from different angles — while giving each bezel enough metal to securely hold its stone for daily wear. Four round stones sit along the crossing bands: a blue sapphire, two peridots, and a diamond, each set low and flush so they resist catching on clothing or hair. The organic, wandering line of the bands gives the piece a stacked-ring look in a single unit, without the risk of stones shifting or gaps opening up between bands. It suits someone who wants a ring with movement and color but needs the practical assurance that this time, the setting will hold.

This ring reinterprets an ancient Roman design in 18k yellow gold, built around an oval teal-blue sapphire cabochon chosen specifically to echo the color and cut of the original. The stone sits in a bezel setting with milgrain detailing along its edge, hand-hammered down to secure it in place and finished with an irregular, antiqued texture true to the ancient reference. A grooved, slightly concave band with a textured edge carries the design down to where it meets cleanly beneath the bezel. The result balances an aged, handcrafted look with the durability and comfort needed for daily wear.

This design splits a single yin-yang circle into two separate pendants — one cast in 14k yellow gold, the other in 14k white gold — so that each half becomes its own wearable piece on its own bracelet. A natural emerald sits on one side and a natural alexandrite on the other, replacing the traditional dots, with each pendant back engraved with a set of initials. The two pendants were designed to interlock, so the pair reads as one complete symbol only when brought together, while each bracelet stands on its own for everyday wear. Cable-link chains in matching yellow and white gold carry each pendant at a compact three-quarter-inch scale, keeping the pair lightweight and comfortable as a daily-wear set.

This three-stone ring centers a cabochon-cut moonstone in a scalloped, milgrain-beaded bezel, flanked by two round black diamonds set in matching beaded frames. The design draws from a video game motif representing a shift from an undead to a living state, translated into a tactile, dimensional band with beading that runs continuously around the shank. Finished in black rhodium over sterling silver, the piece has a brushed, antiqued surface that softens the metal’s shine and gives the beadwork an aged, textured quality. The center stone’s pale, glowing flash sits in deliberate contrast to the two dark side stones, echoing the light-versus-hollow theme that inspired the design. It suits someone who wants a piece with real symbolic weight and enough dimensional detail to reward a closer look.

This circular pendant is built around a sequence: fourteen round pink tourmalines, cut in graduating sizes from about 1mm to 4.5mm, cascade around a white gold frame toward a single round diamond set near the center. The diamond sits in a petite partial bezel with one supporting prong rather than a traditional four-prong crown, keeping the setting quiet so the stone reads as if it’s floating just inside the circle. The chain runs through two rings at the top of the frame rather than a standard bail, which helps the piece hang centered despite the stones being concentrated along one side. It suits someone who wants a milestone marked in a literal, countable way rather than through a single symbolic stone, and who prefers a piece with a considered, deliberate design over an off-the-shelf look.

This engagement ring was designed around a client-supplied morganite cut into an elongated, shield-like shape rather than a standard oval or cushion. The stone is bezel-set and fully wrapped in a diamond halo to echo its unconventional outline, and it sits atop a split shank band. A companion three-band ring guard, also lined with pave diamonds, was designed to nest around the solitaire so the two can be worn as one unified silhouette or the solitaire can be worn alone. Everything is finished in 14k white gold with lab-grown diamond accents, chosen to let the morganite’s soft pink tone read clearly against a bright white metal. The combination of a client’s own stone, a non-standard cut, and a fitted guard makes this a genuinely one-off structural design rather than a stock setting adapted to a supplied gem.