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This ring centers a 0.82 carat oval lab-grown diamond, set using a technique where the gold is hammered fully around the stone’s edge, mechanically locking it in place without visible prongs. The band is substantially domed and widest at the top, tapering gradually toward the back for a comfortable, low-profile fit at a size 4. Cast in 18k yellow gold and finished to a high polish, the design keeps the focus entirely on the stone and the clean, sculptural line of the metal. The result reads modern and minimal, well suited to someone who wants a solitaire that feels substantial without ornamentation.

This sterling silver pendant takes the classic sun-face motif and renders it with real dimension — a sculpted face with open eyes and a closed mouth sits at the center of a ring of pointed rays that alternate between straight and gently curved shapes. The piece was designed to attach to a chain the client already owns, so it carries only a top ring rather than a full bail. The back of the pendant is engraved with a short location phrase, a personal touch that isn’t visible from the front. At 47mm across, it reads as a substantial, sculptural centerpiece rather than a delicate accent, well suited to anyone who wants a mythic or celestial motif with real presence.

This pendant translates a traditional shield motif into a compact 18k yellow gold piece, sized to sit close to the body on a chain. The marquise shield shape carries hand-engraved geometric triangle patterning and a raised center ridge, echoing the look of a hide-covered warrior shield. Two spear-like elements are set behind the shield, crossed and adjusted to sit equidistant from the shield’s centerline, with one spear tip pointed downward per the client’s specific direction. The design went through several rounds of sketch review before the client approved the final placement of the spears and the removal of an added upper element that didn’t belong. It suits someone who wants a compact, wearable piece that carries cultural symbolism and geometric detail rather than a stone-focused design.

This band is built entirely from negative space — the letters O-T-T-O are cut directly through a solid yellow gold band rather than applied on top of it, so the name reads as an open silhouette rather than a raised inscription. The two T’s were specifically designed to share vertical lines with the band structure, creating a seamless, illusion-like transition rather than four separate applied letters. The O’s were refined during the design phase from a rounder shape into a more oval form after the client felt the initial circles looked dropped-in rather than integrated. The piece went through several rounds of sketch revisions — including a version with seven gemstones lined across the top, one for each embryo in the couple’s path to their son — before the client ultimately decided to keep the band stone-free for a cleaner look. The finished ring is a substantial 5-6mm width in polished 14k yellow gold, sized for the wearer’s hand.

This signet ring merges two professions into one design: pharmacy and information technology. A black onyx face, cut with a hole through its center, holds a yellow gold Bowl of Hygeia symbol riveted through from the underside — the traditional emblem of the pharmacy profession rendered in a raised, dimensional form. Around the band, a circuit-board pattern is engraved and filled with black enamel, tracing lines and nodes that reference the wearer’s work in IT. The ring is crafted in 14k white gold, chosen to sit alongside the wearer’s existing white-gold wedding band, a black band worn for protection, and a pewter family heirloom ring passed down from a grandfather. The penny-sized signet face and complex two-metal construction make this a substantial, wearable piece designed to carry personal and professional identity in equal measure.

This 14k yellow gold bypass ring features two smooth, wave-like teardrop forms that cross and interlock at the center, creating an infinity-like silhouette. The band is wide and substantial at the top, tapering to a narrower, more comfortable profile at the back. High-polish finish throughout gives the organic, sculptural shapes a fluid, continuous look. The design was recreated from memory and photographs of a ring the client had lost, with careful attention to proportion and the interplay between the two crossing forms. It suits someone who wants a bold, sculptural ring with a design language rooted in movement rather than a traditional stone-centered piece.