For himself

This engagement ring combines a dark, textured center band with two polished 14k yellow gold rails on either side. The center section is cast in silver, finished matte, and plated in black rhodium to create a woven vine-and-leaf pattern that reads as a naturalistic braid running around the entire ring. A single round natural sapphire in a deep, intense blue sits bezel-set flush within the dark center, chosen so the stone integrates into the texture rather than rising above it on prongs. The three cast sections — two gold rails and the vine-textured center — are soldered together into one solid ring rather than assembled as separate moving parts. The matte finish on the center section was a late refinement, added specifically so the vine and leaf detailing would read clearly rather than disappearing into the sheen of polished metal. The result suits someone who wants a ring with real dimensional texture and a nontraditional dark-and-gold palette, without losing the durability and comfort of a standard band profile.

This men’s wedding band was built to mirror an existing engagement ring design, carrying the same alternating round and marquise lab diamond pattern set flush into a comfort-fit 14k white gold band. The inside is engraved with a short personal phrase and finished to a high polish for comfort against the skin, while the diamonds are matched for consistent color and clarity across every stone. A comfort-fit profile — flat outer surface, gently rounded interior — was added after the initial design phase specifically for long-term daily wearability. The result is a coordinated set piece designed to be worn every day for years to come.

This sterling silver pendant centers on two koi fish facing one another beneath the phrase “This is water,” arranged along the top of the circular frame. A vine-and-leaf border wraps the edge, and the background carries a soft matte texture that sets off the polished fish, lettering, and vine work in the foreground. The piece was refined over several rounds of feedback to get the fish symmetrical, the lettering evenly curved around the circle, and the finish contrast just right. At roughly seven-eighths of an inch across, it sits as a compact, wearable pendant on an 18-inch cable chain. It suits anyone drawn to symbolic, nature-inspired jewelry with a personal phrase at its center, and who wants a subtle two-finish look rather than an all-over polish.

This choker takes the familiar Cuban-link nameplate necklace and simplifies it down to a single geometric element: an open circle set with a single row of lab-created diamonds, centered on a solid 8mm curb chain. The chain was sourced longer than the finished length and links were removed to reach an exact 15-inch fit, worn close to the neck rather than at the collarbone. The O is stationary against the chain — the connecting links do not move — so the diamond-set edge stays protected from metal sliding across the stones during wear. Built in 14k yellow gold for warmth and solidity, this is a piece for someone who wants the presence of a heavy chain without needing it to spell anything out.

This wedding band was built around a specific request: a nugget-textured gold surface with three small crosses raised at the center front, wide enough to read clearly without overwhelming the hand. The design went through several rounds of refinement — width, texture depth, and finish were all adjusted based on direct feedback until the band matched what the client had pictured. The texture wraps the top and sides of the band, while a smooth section is left at the back so the ring can be resized in the future without disrupting the pattern. The three crosses sit slightly raised and are left polished against the brushed nugget texture, so they stand out without needing added color or plating. Finished in 14k yellow gold with a comfort-fit interior, this band suits someone who wants a textured, symbolic wedding band that reads as deliberate rather than decorative for decoration’s sake.

This 10k yellow gold pendant depicts an eagle in flight, wings fully spread and rendered with dense, dimensional feather texture across both the body and wingspan. The talons grip a small ring, a detail carried over intentionally from the original piece. The pendant is hollow-backed to keep it lightweight despite its dimensional, sculptural form, and sized to sit close to the size of a quarter at the body with the wingspan extending beyond that. It suits anyone who wants a piece with real weight of meaning rather than a simple silhouette, and who values a design built from memory and reference photos rather than a stock template.

This is a men’s wedding band built around a signet-ring silhouette: an oval face with a brushed matte finish surrounding a bezel-set marquise diamond, sitting flush with the surface for a low-profile, catch-free feel. The shank is polished and tapers toward the back of the finger for daily comfort. Made in 10k white gold, the design went through an extensive back-and-forth process — moving from an early floating-solitaire concept to a full signet reinterpretation — before landing on proportions the wearer felt were bold and masculine enough to stand on their own, while still visually connecting to the engagement ring it was designed to complement.

This pendant takes the classic crusader shield shape and pairs it with a single black enamel cross, recessed into the polished silver surface for a clean, graphic contrast. The design was kept deliberately simple — one bold symbol rather than layered detail — with a shield outline that reads clearly at a glance. The pendant was built with a thicker profile than standard to stand up to a heavier Cuban chain, and the bail was sized specifically to fit an 7-8mm link. It suits someone who wants a faith or strength symbol that reads as bold rather than delicate, worn as a daily statement piece.

This two-sided pendant was designed as a faithful recreation of a reference piece the client already owned and wanted rebuilt in solid gold. One face carries an engraved outline of St. Thomas, V.I. with the location named beneath it; the reverse carries a palm tree motif, both set within a ribbed coin-style border against a matte background field. The pendant hangs from a 20-inch curb chain fitted with a larger lobster clasp for easier daily use. Solid 14k yellow gold was chosen over a plated option specifically because the piece is intended for daily, continuous wear — plating wears thin with that kind of use, while solid gold holds its finish. The result is a compact, wearable piece that carries a specific place’s meaning in a durable, everyday form.

This round pendant reproduces a street map as fine engraved linework across a solid gold-plated silver disc, with the road lines darkened to stand out clearly against the polished gold surface. Two natural round diamonds are bezel-set directly into the map at two specific points the client wanted marked. Originally envisioned as an open cut-out design, the piece was adapted to a solid engraved background after production concerns about stability and castability in silver. The result is a wearable, personal map that reads clearly as a real place rather than an abstract pattern, suited to anyone who wants to carry a specific location with them every day.

This lapel pin takes the shape of a single capital letter D, rendered as an open wireframe rather than a solid plate. The line work is kept uniform in thickness throughout the curve, giving the letter a clean, drafting-line quality rather than a bold monogram look. Cast in solid 10k yellow gold, the piece measures 1.5 inches tall and is fitted with a horizontal pin stem and clasp on the back, positioned along the vertical stroke of the letter so the closure stays hidden when worn. It suits anyone who wants a personal initial rendered as a piece of minimal, linear sculpture rather than a traditional block letter pin.

This pendant reimagines the sand dollar as a wearable keepsake, cast in sterling silver with an organically irregular, coin-like outline and a beaded edge. A round peridot is bezel-set at the center, surrounded by hand-engraved lines that echo the five-point star pattern found on a real sand dollar shell. The back of the pendant carries a matching engraved starburst, so the detail continues even when the piece is turned over. It hangs on a 16-inch sterling silver cable chain sized to sit at the collarbone. The combination of a durable bezel setting and a compact, symmetrical silhouette makes it suited to everyday wear for anyone drawn to a beach or nature motif rendered in a clean, coin-like form.

This three-stone ring centers a cabochon-cut moonstone in a scalloped, milgrain-beaded bezel, flanked by two round black diamonds set in matching beaded frames. The design draws from a video game motif representing a shift from an undead to a living state, translated into a tactile, dimensional band with beading that runs continuously around the shank. Finished in black rhodium over sterling silver, the piece has a brushed, antiqued surface that softens the metal’s shine and gives the beadwork an aged, textured quality. The center stone’s pale, glowing flash sits in deliberate contrast to the two dark side stones, echoing the light-versus-hollow theme that inspired the design. It suits someone who wants a piece with real symbolic weight and enough dimensional detail to reward a closer look.

This pendant takes a hand-drawn personal mark — a simple heart shape with a face worked into it — and renders it as a clean, single-line engraving across a solid 18k yellow gold disc. The design went through two rounds of refinement: the bail placement was changed to sit on either side of the disc rather than at the top, and the engraved line was thinned to keep the mark looking delicate rather than heavy at this scale. At roughly three-quarters of an inch, it reads as a minimal, everyday piece rather than a statement pendant, and it comes on a matching 18k gold cable chain. The design suits anyone who wants a meaningful personal symbol turned into something wearable without extra ornamentation.