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This design splits a single yin-yang circle into two separate pendants — one cast in 14k yellow gold, the other in 14k white gold — so that each half becomes its own wearable piece on its own bracelet. A natural emerald sits on one side and a natural alexandrite on the other, replacing the traditional dots, with each pendant back engraved with a set of initials. The two pendants were designed to interlock, so the pair reads as one complete symbol only when brought together, while each bracelet stands on its own for everyday wear. Cable-link chains in matching yellow and white gold carry each pendant at a compact three-quarter-inch scale, keeping the pair lightweight and comfortable as a daily-wear set.

This three-stone ring centers a cabochon-cut moonstone in a scalloped, milgrain-beaded bezel, flanked by two round black diamonds set in matching beaded frames. The design draws from a video game motif representing a shift from an undead to a living state, translated into a tactile, dimensional band with beading that runs continuously around the shank. Finished in black rhodium over sterling silver, the piece has a brushed, antiqued surface that softens the metal’s shine and gives the beadwork an aged, textured quality. The center stone’s pale, glowing flash sits in deliberate contrast to the two dark side stones, echoing the light-versus-hollow theme that inspired the design. It suits someone who wants a piece with real symbolic weight and enough dimensional detail to reward a closer look.

This pendant reimagines a found reference image as a fully three-dimensional piece: a winged figure in flight, its wings finished in rich pink-red enamel with a fine leaf-vein pattern, and a single round diamond bezel-set where the wingtip meets the figure’s outstretched arm. The figure and wing structure are cast in 14k yellow gold, giving the piece weight and warmth against the color of the enamel. Three sketch concepts were developed before the design was finalized, and the enamel color was adjusted from the original blue-green reference to a soft pink at the client’s request. It hangs from a delicate 2mm cable chain sized to sit at a personal length. The piece suits someone drawn to Art Deco figurative jewelry who wanted a specific image brought into physical form rather than a standard catalog design.

This pendant is cast entirely in the shape of a convertible sports car, rendered in polished 14k yellow gold with no background plate — the car itself is the silhouette. Fine surface detail carries through the design: door lines, headlight shapes, wheel spokes, and the open-top convertible profile are all captured in the casting. A wide bail at the top accommodates a substantial chain, and the piece measures approximately one inch across, sized for comfortable everyday wear. It suits anyone who wants a specific vehicle rendered as a wearable keepsake rather than a generic car charm.

This pendant translates a working cattle ranch’s registered brand into a wearable piece of fine jewelry. A circle of pave-set round diamonds encloses a single diamond-set vertical bar, forming the ranch’s Circle T mark in a dainty, elegant silhouette rather than a bold western statement. The 14k yellow gold pendant measures approximately 1.5 inches across and hangs from a fine paperclip-style chain sized to sit at the collarbone. It suits someone who wants a personal or family symbol reinterpreted as understated, everyday jewelry rather than an overt logo piece.

This circular pendant is built around a sequence: fourteen round pink tourmalines, cut in graduating sizes from about 1mm to 4.5mm, cascade around a white gold frame toward a single round diamond set near the center. The diamond sits in a petite partial bezel with one supporting prong rather than a traditional four-prong crown, keeping the setting quiet so the stone reads as if it’s floating just inside the circle. The chain runs through two rings at the top of the frame rather than a standard bail, which helps the piece hang centered despite the stones being concentrated along one side. It suits someone who wants a milestone marked in a literal, countable way rather than through a single symbolic stone, and who prefers a piece with a considered, deliberate design over an off-the-shelf look.

This engagement ring centers a marquise-cut lab-grown diamond flanked by an oval and a pear-shaped diamond in a cluster arrangement, with small round diamonds scattered asymmetrically around the trio in varying sizes. Set in 14k yellow gold with a simple polished band, the cluster design creates a piece that reads as one unified shape rather than a single stone with accents. The scattered, varied-size round diamonds were a deliberate departure from a more rigid symmetrical layout, giving the setting a looser, organic feel while keeping the three-stone symmetry the couple wanted on both sides. It suits someone who wants an engagement ring with more visual movement and detail than a solitaire, without the piece reading as overly formal.

This gorgeous pendant is a graceful interpretation of a logo, carefully designed to reflect both elegance and sentimentality. The 1-inch silver pendant features two flowing heart shapes that intertwine, symbolizing connection and unity. At the top, sparkling moissanites represent key figures or family members, adding a touch of brilliance to the piece. The sleek lines of the hearts and the balance between the stones create a harmonious design, while the polished silver enhances its modern yet timeless aesthetic. The pendant exudes love and commitment, offering a personal touch through its meaningful design elements.

This engagement ring was designed around a client-supplied morganite cut into an elongated, shield-like shape rather than a standard oval or cushion. The stone is bezel-set and fully wrapped in a diamond halo to echo its unconventional outline, and it sits atop a split shank band. A companion three-band ring guard, also lined with pave diamonds, was designed to nest around the solitaire so the two can be worn as one unified silhouette or the solitaire can be worn alone. Everything is finished in 14k white gold with lab-grown diamond accents, chosen to let the morganite’s soft pink tone read clearly against a bright white metal. The combination of a client’s own stone, a non-standard cut, and a fitted guard makes this a genuinely one-off structural design rather than a stock setting adapted to a supplied gem.

This distinguished men’s gold ring boasts a classic domed shape, enhanced by an intricate curving and curling pattern that elegantly wraps around its surface. The pattern is polished to a high shine, creating a striking contrast against the matte finish of the background, which adds depth and dimension to the design. At the center of this captivating piece lies an oval-shaped lab-grown ruby, set flush into the top of the ring. The ruby’s vibrant red hue adds a bold touch of color, perfectly complementing the polished gold.

This ring reimagines an anniversary piece the client always wanted to give his wife, this time built without the constraints of a first job’s budget. A cluster of leaf and vine forms wraps around the band in 14k white gold, with black diamonds set into some of the leaves and colorless lab diamonds in others, all converging around two pearls — one white, one a deeper grey — set side by side at the center. The organic, layered design gives the piece a dimensional quality from every angle, with the leaf motif continuing around the shank rather than stopping at the center. It suits someone who wanted a pearl ring from the very beginning but is now able to have it built with the detail and material quality that wasn’t possible the first time around.

This oval cluster ring was recreated from photographs of a ring passed down within a family, rebuilt entirely from images and memory rather than the physical piece. A marquise-cut lab diamond sits bezel-set at the center of a radiating sunburst gold frame, surrounded by a scalloped halo of round pave diamonds set in white gold for contrast against the 14k yellow gold band. The design was adjusted after the first render so the sunburst spokes read in gold rather than silver, matching the client’s memory of the original piece more closely. Its vintage cluster styling and dimensional halo make it a statement ring suited to someone who wants a piece with real family history behind it, ready to be worn daily or passed on again.

This pinky ring was designed around an oval black star sapphire cabochon, set in claw-style prongs that echo a branch or vine motif, with three small lab-grown diamonds set into the split shoulders. Made in 14k yellow gold and sized specifically for a size 5 finger, the ring takes its inspiration from a larger, mid-century-style original but is scaled down for a woman’s hand. The open, organic prong work gives the piece a sculptural, nature-inspired character rather than a heavy traditional setting, while the black star sapphire’s natural asterism gives it a distinctive, non-faceted presence at the center.

This pendant was carved to reproduce the face and upper chest of a Cane Corso in dimensional relief, cast in 14k yellow gold. The design carries the dog’s actual features — the set of the eyes, the fold of the ears, the texture across the chest — translated from a client-submitted photo into a wearable, single-sided piece. The back was hollowed to keep the finished weight manageable without changing the sculpted front. A wide 5mm bail was built to fit the client’s own rope chain. Left in a high-polish finish rather than the matte alternative offered during production, the piece reads bright and detailed rather than muted. It suits anyone who wants a pet’s likeness rendered with real dimensional presence rather than a flat engraving.

This engagement ring pairs a 1.05-carat oval lab-grown diamond with two symmetrical clusters of accent stones on either side — three marquise-cut blue sapphires bordered by small round diamonds. The design evolved from an ambitious multi-petal wildflower concept into a cleaner, more wearable cluster arrangement, refined specifically for a wearer with small hands and an active, hands-on daily life. Set in platinum for durability and a bright white finish that won’t require replating, the ring keeps the band deliberately plain and low-profile so the stone clusters read as the focal point without adding bulk between the fingers. A short inside-band engraving with an infinity symbol and heart completes the piece. The result balances a symbolic, nature-inspired design language with the practical demands of everyday wear.

This ring centers on two dimensional pumpkins cast into a scrolling vine band, each pumpkin carrying a small enameled initial in violet. The vine motif was refined through several rounds of design review to land on a smooth, softly rounded pumpkin shape rather than a heavily grooved one, and the open filigree scrollwork on the band echoes the curling vine theme without adding bulk. Made in 14k white gold, the piece was designed for nickel-sensitive skin and for daily wear. It suits someone who wants a personal, nature-inspired ring with a playful seasonal motif that still reads as fine jewelry rather than costume novelty.

This pendant translates a black belt logo into a wearable, dimensional piece rather than a flat emblem. A dragon and a beast head are arranged in a yin-yang composition inside a black-enamel ring, with a red enamel background giving the design contrast and depth. A black belt knot motif anchors the bottom of the circle, tying the piece directly to its martial-arts origin. The dragon’s eye is set with a ruby and the beast’s eye with a lab diamond, adding two small points of color and sparkle to an otherwise sculptural, high-relief design. Cast in sterling silver with a rhodium finish for durability and shine, the pendant was produced in a 1.5–2 inch size with raised, dimensional detail rather than flat engraving. It suits anyone who wants a meaningful emblem — a rank, a discipline, a personal achievement — turned into a piece they can wear rather than just display.

This ring pairs an oval-cut amethyst center stone with a single small round clear accent stone on either side, set in a polished gold-plated sterling silver band. The design was inspired by a reference photo of a three-stone ring style, adapted to feature February’s birthstone at the center. The four-prong setting keeps the amethyst secure while showing off its color and clarity. It’s a straightforward, wearable design suited to someone who wants a birthstone ring with a bit of sparkle on the sides without an elaborate build.

This three-stone ring pairs a round center Montana sapphire with two smaller round sapphires in a classic four-prong setting, cast in 14k yellow gold. The design was adapted from a silver ring the recipient admired but felt was too delicate for daily wear, rebuilt here in a more durable precious metal while keeping the original three-stone silhouette and blue color palette. A cathedral-style gallery beneath the center stone adds a subtle lift without increasing the profile. The result suits someone who wants a colored-stone ring with the presence of a classic engagement silhouette but without a traditional diamond center.

This yellow gold ring is a stunning showcase of elegance and sophistication. At its heart lies a captivating round ruby, securely set in a sleek bezel setting that highlights the gem’s vibrant color. The band of the ring features a unique design with square-shaped sections that taper gracefully towards the back. These square segments add a contemporary flair. This ring seamlessly blends modern design elements with timeless beauty.

This sterling silver pendant brings together three separate symbols the client wanted to wear as one connected piece: an intricate Celtic-style knot design, a yin-yang disc, and a peace symbol, all contained within a rounded triangular cut-out frame. The yin-yang sits at the visual center, with the knot and peace symbol positioned to its sides as originally specified. Rather than using enamel, the yin-yang’s two halves are distinguished with a high-polish plain metal surface on one side and a contrasting matte finish on the other, keeping the piece entirely tonal in silver. The pendant hangs from a thin sterling silver rope chain sized to sit at the center of the chest. It suits someone who wants several personal symbols read as a single, connected design rather than scattered separately, and who prefers a clean silver finish over enamel color.

This ring was built to bring back a one-of-a-kind piece that had been lost — a silver band with a square-cut blue stone, originally handmade by an independent artist. Working from photographs alone, the design team identified that the center stone in the reference images actually reads as an emerald cut rather than a true square, and adjusted the design accordingly with the client’s approval. The finished ring pairs a deep blue lab-created sapphire, cut in a rectangular step-cut, with a halo of pave-set round diamonds and a split shank band that continues the pave detail partway down each side. Sterling silver was chosen to match the humble, handmade character of the original piece. The result is a recreation that honors the memory of the lost ring while correcting for what could actually be seen in the photos, rather than assumed from description alone.

This open cuff bracelet centers on a dimensional, hand-sculpted female figure whose body wraps around the front of the piece, arms extending forward and legs trailing into the band. A small beaded necklace sits at her neck, and the reverse of the band is smooth and rounded for comfortable daily wear. Cast in brass with a soft matte finish, the cuff was built through an extended, iterative 3D modeling process to recapture the proportions, posture, and oval shape of a beloved original piece worn for decades. The open-ended, oval design was specifically chosen to allow the bracelet to slide easily on and off the wrist, and its hollow, thick-walled construction keeps it substantial without excessive weight. It suits someone who wants a piece with real sculptural presence and a design that can be worn every day without a clasp to manage.

This pendant depicts a small winged fairy figure rendered in polished 14k white gold, holding a single round diamond in her outstretched hand. The wings feature open cut-out detailing that catches light from multiple angles, while the figure’s pose was refined during the design phase to get the proportions and orientation just right. Made to pair with a chain the client already owned, the pendant is sized at approximately 0.75 inches to sit comfortably as a everyday piece. It suits anyone drawn to whimsical, figural pendant designs with a touch of sparkle.

This wedding band pairs a straight, flat-profile shank with a graduated row of five prong-set stones: three lab-grown emeralds alternating with two lab-grown diamonds, each cut round at 3mm. The 14k rose gold matches the metal of the engagement ring it was designed to sit beside, and the flat profile was chosen specifically so the band would sit flush against that ring’s setting rather than compete with it. The design went through two sketch rounds — a straight version and a slightly curved version that hugs the engagement ring — before the client chose the curved option for a closer, more integrated fit. It suits someone who already has a ring in this stone-and-metal language and wants a companion piece that completes the pair rather than standing on its own.