Diamond Snake Pendant in 14k White Gold
$$$
14k white gold, lab-grown diamond, lab-grown black diamonds
A client wanted his pear-shaped diamond reimagined as something completely different from a traditional setting — the head of a sculptural snake pendant. Early on, the design was adjusted for proportion, settling on a 2.5-inch S-curve so the head and body would read correctly at scale. The final version alternates black and white diamonds along the body, fading to colorless stones near the tail, and shipped alongside a matching ring project the client had also commissioned.
Quick specs
Design type
Primary Metal
Shape / Cut
Primary Stone
Design Complexity
Intent: Certainty
Size
Pendant length 2.5in. Chain 18in cable chain.
How they made it distinctive
-
01
Bezel setting custom-shaped around the client's own pear-shaped diamond rather than built to a standard stone size
-
02
Alternating black and white diamonds along the body, fading to solid colorless stones near the tail to mimic how a snake's coloring blends at a distance
-
03
Length kept to 2.5 inches specifically to keep the head and body proportional to each other
-
04
S-curve body position chosen over a straighter, longer layout after reviewing sketch options
-
05
Small black diamonds used for the eyes to stand out against the white metal and colorless head stone
How you'd make it yours
Stone type: this piece uses lab-grown white and black diamonds; a new commission could use natural diamonds or colored gemstones for a different look
Metal: this piece is 14k white gold; the same sculptural body works in yellow gold, rose gold, or platinum
Length: this piece is 2.5 inches; a new commission could be shorter or longer, adjusted proportionally
Stone pattern: this piece alternates black and white before fading to colorless; a new piece could use a single stone color throughout or a different fade pattern
Chain: this piece uses an 18-inch cable chain; a new commission could use a different chain style or length
One of a kind: this exact pendant was designed around one client's diamond and is not reproduced — a new commission is an original piece inspired by this one, not a copy
Design changes made
The initial concept explored a longer, more linear snake shape, but the design shifted to an S-curve position after the client reviewed sketch options, keeping the piece closer to 2.5 inches rather than a longer, straighter form. The stone pattern was also finalized as alternating black and white diamonds fading to colorless near the tail, rather than a single continuous color.
Who this is for
This piece is for someone who wants a center stone from an existing piece of jewelry turned into something entirely unexpected, rather than simply reset into a traditional style. It fits someone drawn to nature-inspired, sculptural design with a bit of an edge — jewelry that reads as art first and gemstone second.
How it's made
Once the S-curve design was approved, a resin model was produced to confirm the proportions of the sculptural body before any metal was cast. The model was reviewed and shared with the client as a preview. From there, the piece was cast in 14k white gold using the lost-wax method, with the mold burned out and molten gold poured to form the raw pendant, including the bezel cup shaped to receive the pear-shaped center stone.
After casting, the pendant was cleaned up and polished to a smooth, reflective finish along the entire curving body. The client's pear-shaped diamond was then bezel-set into the snake's head, wrapping the metal snugly around the stone's outline. The small round white and black diamonds were set by hand in sequence along the body in their alternating pattern, with two black diamonds set last as the eyes.
Key note
The bezel setting for the head was shaped specifically around the outline of the client's own pear-shaped diamond, so the cup had to be custom-fitted rather than pulled from a standard setting size.
Pricing guidance
A sculptural diamond pendant like this one sits toward the higher end for custom pendant work, largely because of the labor involved in hand-setting a long row of small stones along a curved, dimensional form. Using a client-supplied center stone changes the cost structure since the center stone itself isn't purchased, but the bezel must still be custom-fitted to its exact shape. Stone count and metal choice are the next biggest cost drivers after labor.
Moves price up ↑
- ↑ Increasing the number of accent stones along the body or extending the design's length
- ↑ Upgrading from lab-grown to natural diamonds for the accent stones
- ↑ Choosing platinum instead of white gold, which adds both material and labor cost
- ↑ Adding more black diamonds or a rarer accent stone in place of standard white diamonds
- ↑ Requesting a heavier gauge or more dimensional, sculptural body
Moves price down ↓
- ↓ Using all lab-grown diamonds rather than a natural/lab mix
- ↓ Shortening the overall length of the pendant
- ↓ Reducing the number of accent stones set into the body
- ↓ Choosing sterling silver or gold-plated silver instead of solid white gold
- ↓ Simplifying the stone pattern to a single color rather than alternating colors
Questions people ask
Yes, using a client's existing diamond as a starting point for an entirely new design is a common request. The stone is scanned and measured so the setting — in this case a bezel shaped like a snake's head — can be custom-built around its exact dimensions. This approach lets you keep a stone that already has meaning to you while getting a completely different look than its original setting. The rest of the design, including any accent stones and the metal, is built from scratch around that one piece.
Lab-grown and natural diamonds are chemically and visually identical — same hardness, same brilliance, same durability for daily wear. The difference is origin: lab-grown diamonds are grown in a controlled environment rather than mined, which typically makes them less expensive at the same size and quality. For a piece using a dozen or more small accent stones, choosing lab-grown can make a meaningful difference in overall cost without any visible tradeoff.
A pendant with a curved, dimensional body in 14k white gold is quite durable for regular wear, since gold at this karat is chosen specifically to balance strength with workability. The main consideration with a sculptural, curving shape is that it can be more susceptible to bending under significant force than a flat pendant, so it's best kept away from high-impact activity. The bezel setting protecting the center stone is also more secure day-to-day than a prong setting, since the metal fully surrounds the stone's edge. Regular gentle cleaning is all that's typically needed to keep the finish bright.
A piece like this sits toward the higher end of custom pendant pricing, mainly driven by the labor of hand-setting many small stones into a curved, dimensional form rather than a flat surface. Using a client's own center stone reduces one cost variable but doesn't reduce the setting labor, since the bezel still has to be custom-fitted. Metal choice and total accent stone count are the next largest factors in the final price.
A design like this typically moves through an initial sketch and proportion review, followed by a 3D render for approval, before any casting begins. Once the design is approved, a resin model is often produced to confirm the sculptural proportions before the metal pour. From deposit to delivery, a piece of this complexity generally falls on the standard end of custom timelines, though sourcing multiple accent stones can add some time if quantities are large.
Yes, accent details like eyes are flexible and commonly adjusted based on client preference — options range from colored diamonds to colored gemstones for a different visual effect. On this piece, small black diamonds were chosen for the eyes to contrast against the white metal and colorless center stone. Any accent stone substitution should be checked against hardness and size to make sure it holds up in a small setting.
Yes, length is one of the more flexible elements of a sculptural pendant design, though it needs to stay proportional to the size of any focal element like a center stone or head shape. A shorter version keeps the design more compact and subtle, while a longer version reads as more of a statement piece. Adjusting length after the initial proportions are set typically means revisiting the render before moving to production.
A simple cable chain is a common choice for a sculptural pendant because its thin, uniform links don't compete visually with the pendant's shape and detail. Thicker or more decorative chain styles can work too, but they tend to draw more attention and can visually compete with a dimensional design. Chain length is also a consideration — an 18-inch length is a versatile, popular choice that sits at or just below the collarbone for most wearers.
Explore Similar Creations
Every masterpiece starts with a spark. Explore how our clients raw ideas - sketches, heirlooms, inspirations - were transformed into bespoke works of arts.
Your vision. Your design. Your piece.
Create a custom jewelry piece that celebrates you - free to begin.


