Marquise Moissanite Half-Eternity Wedding Band

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14k yellow gold, moissanite

A bride-to-be came to us to design her wedding band ahead of her wedding, working from a reference ring with a similar half-eternity marquise layout. After seeing the first render, she asked to widen the band from 3mm to 5mm to better match the original's proportions, and the team rebuilt the design at the wider size. When it arrived, she wrote simply: 'Yes it's perfect thank you.'
'Yes it's perfect thank you' — on delivery
Quick specs

Design type

Primary Metal

Shape / Cut

Primary Stone

Accent Stones


Design Complexity


Intent: Certainty

Size
Ring size 9.5 US (19.35mm). Band width 5mm.

How they made it distinctive
  • 01
    Marquise moissanite stones set east-west rather than point-to-point, giving the row a layered, angled sparkle
  • 02
    Band widened from 3mm to 5mm after the first render to better match the proportions of a reference ring
  • 03
    Half-eternity coverage across the top of the band only, leaving the lower half smooth and easy to resize
  • 04
    14k yellow gold chosen to pair with an existing engagement ring in the same metal
How you'd make it yours
Stone: this piece uses marquise moissanite; a new commission could use lab or natural diamonds in the same layout
Metal: this piece is 14k yellow gold; the same half-eternity design works in 18k yellow, white, or rose gold
Band width: this piece is 5mm; a new piece could be made narrower or wider to suit a different hand
Coverage: this piece uses half-eternity coverage; a new commission could extend to a full eternity band
Engraving: the smooth lower half can carry a short inscription on a new piece
One of a kind: this exact ring was designed for one client and is not reproduced — a new commission is an original piece inspired by this one, not a copy
Design changes made
The band width was changed from the originally requested 3mm to 5mm after the client saw the first render and wanted it closer to the proportions of the reference ring she had in mind. The wider version kept the same marquise layout and cost roughly the same as the narrower version once metal weight was recalculated.
Who this is for
This piece is for someone who wants a wedding band with real sparkle and movement, not a plain polished band, but also doesn't want full stone coverage around the entire ring. It's especially right if you're pairing a new band with an existing engagement ring and want the proportions to match closely rather than guessing at a standard width.
How it's made
Once the design was approved, the ring was 3D printed as a wax model, which was then attached to a wax tree and invested in plaster inside a flask. The flask was fired in a kiln to burn out the wax, leaving a hollow mold, and molten 14k yellow gold was cast into that mold under pressure. After cooling, the raw band was removed from the mold and prepared for the next stage of production. The cast band was then cleaned up and polished to a bright finish across the entire surface, since this design has a single polished finish zone rather than mixed textures. The marquise moissanite stones were set by hand into shared double-prong settings running across the top half of the band, each stone oriented east-west rather than point to point, while the lower half of the band was left smooth and undecorated.
Key note
Setting the marquise stones sideways (east-west) rather than point-to-point is a deliberate orientation choice that changes how light moves across the row compared to a standard marquise eternity band.
Pricing guidance
A 14k gold half-eternity wedding band with marquise moissanite accents sits toward the lower-to-mid range for custom wedding bands. Most of the cost comes from the gold weight and the labor of hand-setting multiple stones in a shared-prong row, rather than from the stones themselves. Band width and metal choice are the two factors that move the price the most from this baseline.
Moves price up ↑
  • ↑
    Increasing band width from 5mm to a wider profile, which adds more metal weight
  • ↑
    Upgrading from moissanite to natural or lab diamonds in the same marquise layout
  • ↑
    Extending the stone row to a full eternity band covering the entire circumference
  • ↑
    Switching from 14k to 18k yellow gold
  • ↑
    Adding complementary engraving or milgrain detail along the edges
Moves price down ↓
  • ↓
    Narrowing the band width back down to 3mm, which reduces metal weight
  • ↓
    Reducing the number of marquise stones in the row
  • ↓
    Choosing a lower-karat gold such as 10k
  • ↓
    Using a single shared prong setting style rather than individually accented prongs
  • ↓
    Keeping the stone coverage to a smaller fraction of the band rather than 50%
Questions people ask
Moissanite rates 9.25 on the Mohs hardness scale, just below a diamond's 10, which makes it very suitable for a wedding band worn daily. It resists scratching extremely well under normal wear, including everyday tasks like washing hands or light housework. Moissanite also has a higher refractive index than diamond, which gives it a slightly more fiery, colorful sparkle rather than diamond's whiter brilliance. For a band with many small stones like this one, moissanite offers strong durability at a different price point than natural or lab diamonds.
Yes, the same half-eternity marquise layout works with either natural or lab-grown diamonds in place of moissanite. Lab diamonds would keep a similar overall look to moissanite while being chemically identical to natural diamonds, just grown rather than mined. Natural diamonds in the same marquise cut and carat total would push the cost higher than either moissanite or lab diamonds. The setting style and stone count would not need to change regardless of which stone is chosen.
A 14k gold half-eternity band with marquise moissanite stones sits toward the lower-to-mid range for custom wedding bands. The price is driven mainly by metal weight and the hand-setting labor for multiple individually pronged stones, with the stone choice itself being a smaller factor when moissanite is used. Widening the band or extending the stone coverage around the full circumference are the two changes most likely to raise the price noticeably. Dropping to a narrower band or fewer stones brings the cost down.
The design phase for a band like this typically takes about one week from deposit to the first render, with time added if adjustments like a width change are requested. Once the design is approved, production (wax model, casting, cleanup, and stone setting) generally takes three to four weeks. Total turnaround from deposit to shipping is commonly five to eight weeks depending on how many rounds of design revisions happen and payment scheduling. This particular band took longer than the standard timeline because payments were spread out before production began, which is a scheduling factor rather than a production one.
Setting marquise stones east-west, or sideways, rather than point-to-point is a style choice that changes the visual rhythm of the row. Each stone's wider dimension faces up and out, creating a layered, slightly overlapping look as the eye moves along the band. It also tends to make the stones appear slightly larger across the top of the finger compared to a point-to-point marquise layout of the same carat weight. This orientation is a deliberate aesthetic decision rather than a durability or security difference.
A half-eternity band with stones only on the top portion can generally be resized within a reasonable range using the smooth lower half, since that section has no stones to disturb. Larger resizing jobs are more complex on a band with eternity-style stone coverage because there is less plain metal to work with. If you anticipate needing a significant size change in the future, it's worth mentioning this when the piece is designed so the smooth portion can be planned accordingly. Minor resizing is a standard jeweler service after delivery.
A half-eternity band has stones set across roughly half the band's circumference, typically the top-facing portion that is visible when worn, while the rest is left plain. A full eternity band has stones set continuously all the way around, including the portion that sits against the palm. Half-eternity designs are generally less expensive and more practical for resizing since they preserve plain metal to work with. The choice usually comes down to personal preference for coverage versus the practical tradeoffs of a fully stone-set band.

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