Every piece here started as a real conversation with a real client, with a reason behind it, a story, and a lot of emotion. We’re not showing you a catalog. We’re showing you what’s possible, so you can design your own.
Marquise Diamond Engagement Ring with Pear Side Stones
This engagement ring centers a 3.03 carat marquise-cut lab-grown diamond, flanked by two pear-shaped lab diamonds set in claw prongs. The band splits into a cathedral-style V beneath the center stone, a detail refined through several rounds of design revision to achieve a delicate, twisted profile without sacrificing structural strength. Set in 18k yellow gold, the ring balances a bold center stone with an open, airy gallery underneath. The design moved through multiple iterations — prong style, side stone shape and alignment, and the shank silhouette were all adjusted based on client feedback before the final version was approved. It suits someone who wanted real input into the fine details of their ring rather than a stock setting, and who was drawn to a marquise silhouette paired with a distinctive, sculptural band structure.
Delicate Princess-Cut Ring With Gold Leaf Accents
This engagement ring centers a princess-cut lab diamond, rotated on point to read as an elongated diamond shape rather than a standard square profile. V-shaped prongs anchor each corner of the stone, reinforced by a gallery rail and a cluster of marquise and round diamonds that fan out around it. Delicate yellow gold leaves extend outward from the shoulders of an otherwise white gold band, and pave diamonds continue partway down the shank. The cathedral-style setting lifts the stone for a raised, architectural profile while keeping the overall design light and floral rather than heavy. It suits someone who wanted a delicate, nature-inspired ring without an oversized presence on the hand.
Oxidized Silver Lariat Necklace with Garnet Teardrops
This lariat necklace was built around a circular pierced hoop in sterling silver, textured to read as hand-forged rather than machine-finished. Round and pear-shaped garnets are bezel-set along the hoop and down the two lariat ends, their domed profiles chosen deliberately to suggest droplets rather than faceted gemstones. A matte finish covers the piece throughout, with oxidization worked into the crevices and pierced cutouts to give it the look of a worn, older object rather than a new one. The design was developed as a companion piece to a matching pair of earrings, sharing the same garnet stones so the two pieces read as a set. It suits someone drawn to symbolic, slightly gothic design language who wants a necklace with real presence rather than a delicate everyday chain.
Saint Michael Stained-Glass Pendant in White Gold
This pendant reimagines a stained-glass window in miniature: an arched white gold frame holds a raised figure of Saint Michael, wings extended, standing over a fallen figure beneath his feet, with ‘Saint Michael’ engraved along the base. Behind the figure, a mosaic of 66 individually set gemstones — tsavorite garnets, rubies, sapphires in purple and blue, and diamonds — fills the arched window in a deliberate stained-glass pattern. The piece is built from two separately cast plates, hand-set with stones and then laser-welded together, with small hand-drilled openings behind select stones so that light can pass through the gems the way it would through real stained glass. At roughly 1 to 1.5 inches tall and about 2mm thick, it sits as a substantial but wearable pendant. The two-plate construction and the density of the stone-setting make this a considerably more involved build than a standard cast pendant, suited to someone who wants a religious piece with real dimensional depth and color rather than a flat engraved medallion.
