No stone

This sterling silver cuff bracelet was designed around a couple’s wedding coordinates and a phrase marking where their story began. The front carries a two-line engraving in a combined script and block font, with the exact latitude and longitude of the ceremony location beneath it. Flanking the engraving are two small diamonds, with six birthstones branching outward on either side representing the couple and their four children. The inside of the band carries the wedding date and the name of the ceremony location. Made at a 7mm width for a comfortable, substantial feel, the open-cuff design slides on without a clasp for easy everyday wear. The piece suits someone who wants a wearable timeline of their family, anchored to a specific place and moment rather than a generic sentiment.

This bracelet centers a round engraved charm set into an oval-link chain, designed to display three names woven together through their shared letters — a visual way of showing that these three children are connected. The charm was engraved on both sides so the design remains visible no matter how the charm settles on the wrist. Cast in 10k yellow gold, the piece pairs a sentimental, personalized centerpiece with a sturdy everyday chain suited to daily wear. The design went through two rounds of review — a rectangular version was considered before the client settled on the round shape as the better fit. This piece suits someone looking for a family-representation gift that reads as elegant script rather than a literal list of names, and that holds up to being worn regularly rather than saved for special occasions.

This 14k yellow gold pendant merges three meaningful symbols into one cohesive design: a cross, a Naval Academy-style anchor, and a hockey stick, with the number 11 engraved on the stick’s blade. The elements overlap and interlock so the piece reads as a single unified form rather than three separate charms stacked together. Finished in a high polish for a clean, durable surface intended for daily wear, it hangs on a sturdy curb chain built to hold up under an active lifestyle. The design was refined through several rounds of feedback — sizing, chain thickness, and placement of the number were all adjusted based on how the recipient actually lives and moves. It suits someone who wants a single wearable symbol for faith, service, and identity rather than separate pieces for each.

This large round pendant centers on a rocket ship radiating outward into a compass-like starburst, framed by ringed planets, scattered stars, and orbiting dots. The background is finished in black rhodium with a matte texture, while every raised line of the design is left in high-polish sterling silver, creating strong contrast between the dark backdrop and the bright cosmic scene. At roughly three inches across, the piece has real presence on the chest and reads clearly from a distance. It suits someone drawn to space and astronomy themes who wants a substantial, sculptural pendant rather than a delicate everyday piece, and who prefers a distinctive matte-and-polish finish over traditional high-shine jewelry.

This rectangular sterling silver pendant carries four initials arranged in a two-by-two grid — E and J on top, B and G below. The E and G are finished in a warm gold tone while the J and B remain in bright silver, creating contrast between the two letter pairs without needing a dividing line to separate them. The pendant was designed from a reference image the client provided, adapted to his specific letter combination and metal preference. At roughly one inch square, it sits as a compact, wearable piece suited to someone who wants multiple initials represented together rather than a single monogram. The clean block lettering and mixed-metal finish give it a modern, structured look that works well as an everyday piece or a thoughtful gift.

This platinum cross pendant blends Greek and Russian Orthodox design elements into a single three-bar silhouette, with stepped terminal ends on each arm and a raised crucifix figure set at the center. Small engraved Orthodox inscriptions appear near the top and side arms, consistent with traditional iconography on this style of cross. At roughly two inches long, the pendant was sized generously so it can be worn now and grown into over time. It hangs from a matching platinum figaro chain chosen specifically to support the weight of the piece. The design was built for permanence — platinum was selected for its durability, and the piece was intended from the outset for daily wear rather than occasional use. It suits someone looking for a substantial, traditional religious pendant with a masculine design language, meant to be worn for decades.

This pendant translates a blocky, pixel-art digital image into a three-dimensional sterling silver piece. The design was refined through several rounds of review, moving from a flat render to a full 3D model so the client could evaluate the dimensional blocks before committing. The final piece uses black rhodium plating on the recessed background blocks to create contrast against the polished silver foreground, making the pixelated character read clearly in physical form. A cable chain and lobster clasp complete the piece, which sits at approximately one inch in height. It suits anyone who wants to carry a piece of digital art or a personal collectible into a wearable, everyday format.

This pendant centers a dimensional doe standing within an open, branch-framed silhouette, with a crescent moon caught on one of the branches above her. The teardrop shape reads as a small nature scene rather than a flat charm, with leaf detailing carved along the border and open space left where the design was intentionally opened up to let the 3D elements stand out. The back carries a short engraved inscription and a date, kept small enough to stay legible without competing with the front. Made in sterling silver on an 18-inch cable chain, it suits anyone who wants a nature motif with genuine dimension rather than a flat engraved disc, and who values a personal detail tucked out of sight on the back.

This pendant takes the shape of a written page — a rectangular cut-out frame bordered in a chevron pattern, with rows of squiggled lines standing in for handwriting. A slender three-dimensional pen rests diagonally across the surface, cast with visible facets along its body. The back is left flat and unadorned. Worked entirely in 18k yellow gold, the piece went through several rounds of refinement — from the border pattern to the pen’s proportions and angle — before landing on this composition. It suits anyone drawn to symbols of writing, ideas, or creative work, worn as a personal marker rather than a decorative motif alone.

This sterling silver bangle bracelet centers on a sculpted pair of clasped hands, inspired by the Unison Sign, meeting at the front of the band as its focal design element. The rest of the bangle carries an engraved phrase about protecting what matters enough to give everything for, running continuously around the band. Designed to slide on and off the wrist without a clasp, the piece has a smooth, polished finish and a balanced, symmetrical profile. It suits someone who wants a meaningful design element paired with a personal engraved message, worn as a quiet daily reminder rather than a statement piece.

This bracelet centers on a large rectangular ID plate cast in solid 14k yellow gold, its surface carrying a dimensional cutting-horse scene — a horse, cow, and dog rendered in raised, polished relief against a matte background, with a small cross set in the upper corner. The plate attaches to a substantial 9.5mm curb-link chain sized for a masculine, competition-ready fit, with the reverse side carrying a personal engraved inscription. The open-center construction of the plate was engineered specifically to manage the weight of a piece this size in solid gold, keeping it wearable for extended daily use. It suits someone who wants a bold, symbolic piece that can be worn constantly rather than saved for special occasions.

This pendant pairs an architectural torii-gate arch with a round coin-style medallion hanging beneath it, both cast in 14k yellow gold plated silver. The medallion carries a five-petal floral family crest in raised relief against a stippled, textured field, bordered by a polished rim — a design refined from an initial engraved concept back to the raised style of the original reference images the client provided. The gate spans roughly three inches, with the coin sized to just over an inch, on a 16-inch cable chain. It suits anyone who wants a family emblem worn as a wearable piece of heritage rather than tucked away, with the raised detail giving the crest genuine dimension and texture rather than a flat engraving.

This sterling silver bolo bracelet centers on a marquise-shaped plaque engraved with a custom wordmark and a small eyelash graphic. The adjustable bolo-style box chain slides to fit a range of wrist sizes, closing with a round slide bead and finished with two polished teardrop ends. The design was adapted from an existing logo, kept intact on a refined narrow rectangle-turned-marquise shape rather than reworking the lettering to fit a different layout. It suits someone who wants their own brand or personal mark on a piece they can wear every day without needing to size it precisely.

This sterling silver pendant takes the classic sun-face motif and renders it with real dimension — a sculpted face with open eyes and a closed mouth sits at the center of a ring of pointed rays that alternate between straight and gently curved shapes. The piece was designed to attach to a chain the client already owns, so it carries only a top ring rather than a full bail. The back of the pendant is engraved with a short location phrase, a personal touch that isn’t visible from the front. At 47mm across, it reads as a substantial, sculptural centerpiece rather than a delicate accent, well suited to anyone who wants a mythic or celestial motif with real presence.

This pendant translates a traditional shield motif into a compact 18k yellow gold piece, sized to sit close to the body on a chain. The marquise shield shape carries hand-engraved geometric triangle patterning and a raised center ridge, echoing the look of a hide-covered warrior shield. Two spear-like elements are set behind the shield, crossed and adjusted to sit equidistant from the shield’s centerline, with one spear tip pointed downward per the client’s specific direction. The design went through several rounds of sketch review before the client approved the final placement of the spears and the removal of an added upper element that didn’t belong. It suits someone who wants a compact, wearable piece that carries cultural symbolism and geometric detail rather than a stone-focused design.

This band is built entirely from negative space — the letters O-T-T-O are cut directly through a solid yellow gold band rather than applied on top of it, so the name reads as an open silhouette rather than a raised inscription. The two T’s were specifically designed to share vertical lines with the band structure, creating a seamless, illusion-like transition rather than four separate applied letters. The O’s were refined during the design phase from a rounder shape into a more oval form after the client felt the initial circles looked dropped-in rather than integrated. The piece went through several rounds of sketch revisions — including a version with seven gemstones lined across the top, one for each embryo in the couple’s path to their son — before the client ultimately decided to keep the band stone-free for a cleaner look. The finished ring is a substantial 5-6mm width in polished 14k yellow gold, sized for the wearer’s hand.

This 14k yellow gold bypass ring features two smooth, wave-like teardrop forms that cross and interlock at the center, creating an infinity-like silhouette. The band is wide and substantial at the top, tapering to a narrower, more comfortable profile at the back. High-polish finish throughout gives the organic, sculptural shapes a fluid, continuous look. The design was recreated from memory and photographs of a ring the client had lost, with careful attention to proportion and the interplay between the two crossing forms. It suits someone who wants a bold, sculptural ring with a design language rooted in movement rather than a traditional stone-centered piece.